Documentary by Andres Sööt about the years of 1996 and 1997. The film chronicle covering two years can be viewed as a continuation to Sööt's earlier films "Year of the Dragon" and "Year of the Horse". All three documentaries are the portraits of years, modelled by the director himself. There is neither a systematic nor exhaustive approach towards the selected times in history - what has been followed is the chronological order of events. Andres Sööt documents and comments both from a neutral as well as his personal point of view.

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Estonia tells the story of the tragic accident of the car-ferry MS Estonia, which deeply shocked the world in the autumn of 1994. Through the moving personal stories of victims, survivors, loved ones and investigators, the eight-part series explores how it is possible that 852 people lost their lives and no one is held accountable.

Estonia.

Two talented radio actors from Estonia have their lives turned upside down by the arrival of Gerli.

The Rise and Fall of Estonia is a production by directors Tiit Ojasoo and Ene-Liis Semper. Together they have created large-scale shows already before. "Ruja", a rock-opera, and "Unified Estonia", a convention of a fictitious political movement for 7200 viewers, were not only completely sold out, but also theatre events, which won the major theatre prizes in Estonia. "The Rise and Fall of Estonia" is not a rock-opera. It's not a punk statement. It's a symphony. And it's about Estonia. Together with actors from NO99 they've created over the years four productions, which more or less deal with Estonia and its state of mind.

Pablo and Mariana, a young creative couple expecting their first child, discover Pablo is HIV positive. The news forces their separation. Pablo turns inward towards an ever increasing isolation. Mariana works with her theater students on the fears and prejudice of the new generation. Their child brings them back together again and they find a common goal in life.

A history of Republic Pictures studios, featuring hundreds of clips plus on-camera interviews with stars, director, stuntman, etc.

Walter Burton's realistic photographs depicting poor treatment of Maori prisoners are rejected by late 19th century government officials. Walter is condemned to making a living from everyday studio work, the frustration of which is apparently quite sufficient to make him a drunk. His brother Alfred is happy to take the photos that the officials want and therefore gets the commissions. Alfred's photos are well received, but when Walter shows his own photos, toughs are sent around to smash up his plates.

Intertwined stories of Love, Distance, and Loss are connected by the music of Hunter Hayes.